The day after my Twin Cities launch party for Sparkers, I attended the 25th Annual Minnesota State Sacred Harp Convention. The timing of my trip home couldn’t have been better. The convention was held at The Landing, an outdoor museum that recreates a 19th century settlement on the Minnesota River. It’s very picturesque. There are charming preserved houses and buildings, vegetable gardens, apple trees, and a river overlook. We sang in the Town Hall.
I was called to lead during the second session of the morning. The arranging committee member introduced me, saying, “We welcome Eleanor Glewwe back from Los Angeles, CA. Ask her about her new novel, out on Tuesday!” With that, it was in to the center of the square with me. I led 501 O’Leary, for rather specific reasons. It was composed in the year of my birth by Ted Mercer, a singer from Chicago who was at the convention. It’s named for the O’Leary family, who live in the Los Angeles area. Finally, I like the tune and the text, especially the lines “How will my heart endure / The terrors of that day” (I mean, it’s about Judgment Day, but I think you can sing those words about any day you’re feeling trepidatious about). Later, a singer came up to me and said how fitting it was that I’d led O’Leary, since I’d come to the convention from Los Angeles and since Ted Mercer was in the room. She said she loved it when she could figure out why a leader had chosen a particular song. Also, Ted Mercer came up to me and asked if I’d sung with the O’Learys (I have).
The singing was fantastic, and there were a number of illustrious figures in attendance, including Judy Hauff of Chicago, who basically wrote all my favorite songs in the book (perhaps it’d be more correct to say all four of her songs are among my favorites), and Mike Hinton of Texas, the current president of the Sacred Harp Publishing Company. I also got to hang out with a number of young singers I don’t see very often. And the setting was just so idyllic: blue sky, autumn sunshine, painted wooden houses with porches…
Since the arranging committee had told people to ask me about my book, well, they did. And this is where things got interesting. During one of the morning breaks, across the refreshments table (and what refreshments they were! Sparkling apple cider and basil-infused lemonade!), a woman asked me if I was “that science fiction writer”. Later, someone asked me if I was the one who’d written that book about “a woman who is a robot” (or something like that). I knew at once who they were mistaking me for. What they imagined was very flattering and very wrong.
There is a Sacred Harp singer from Missouri named Ann Leckie who wrote a science fiction novel called Ancillary Justice (the sequel, Ancillary Sword, came out yesterday). I read it earlier this year on the enthusiastic recommendation of a good friend, and I thought it was amazing. But you don’t have to take my word for it: Ancillary Justice won the Arthur C. Clarke Award, the Nebula Award, and the Hugo Award (among other honors). In other words, Ann Leckie is a big deal.
I was tickled that other singers thought I was Ann Leckie, particularly because I had actually been hoping that Ann Leckie would be at the Minnesota convention. Missouri isn’t that far from Minnesota, and in fact there were other Missouri singers there. Moreover, Ms. Leckie was going to be at the Heartland Fall Forum (a regional trade show) in Minneapolis on October 1st, so she conceivably could have combined convention and author appearance in one trip. I had imagined accosting her at dinner on the grounds, reaching across a picnic table laden with kale salads and baked pasta dishes to shake her hand and asking her for her autograph. Alas, it was not to be.
The convention was wonderful all the same. Unfortunately, I was only able to attend the first day, but I made it to the evening social in St. Paul, where there was more food, including a delicious bread pudding (in two versions, with and without raisins!). I overheard someone say they thought about bringing a kale salad but knew there would already be at least three, so they didn’t. More people asked me about my book. And I learned that there’s now a (small) Georgian choir in the Twin Cities!
A last word about funny Sacred Harp texts: When singing 280 Westford, we came to this line that I always forget about until I sing it again. I have to struggle not to laugh every time. It’s this: “Blest Jesus, what delicious fare!” Whenever I get to those words, they sound to me like, “Jesus, yum!” (I know. You’re thinking of communion. That is not the context. At least, I don’t think so.) That line might be the most amusing one in the book, outside the temperance song, which is impossible to sing without laughing. But that’s a song for another day…