I am woefully behind on blogging about my adventures, but such is the way of things. In the last month or so, besides diligently writing my dissertation, I’ve returned to the aquarium, enjoyed a 4-hour “study session” at the new cat café in my neighborhood, and spent nearly three weeks in Portugal and France. This post, however, harks back to early May, when I was in Minneapolis with Isabelle for the 175th Meeting of the Acoustical Society of America. It was my first phonetics conference. We presented posters in the same session, and I met exactly the linguists I wanted to talk to about my somewhat perplexing study (one of them, from the University of Minnesota, lives practically down the road from my parents!). I also got to see a friend and fellow linguistics Ph.D. student I know from Swarthmore.
After our poster session, Isabelle and I had lunch on Eat Street and then walked over to the Minneapolis Institute of Art to see Power and Beauty in China’s Last Dynasty. This exhibit was meant to weave objects and artwork from the Qing Dynasty into an immersive, sensory experience drawing on elements of theater. It began with ten minutes of meditation in a dark room. It was almost pitch black, but a vase placed high in one corner was illuminated. A piece by John Cage involving what sounded like pencils being dropped onto a stage played in the background. Several of the exhibit rooms included music, some of it rather strange. One of the rooms, featuring a carved wooden throne, had walls painted red with the image of a rather Western-looking dragon and a soundtrack of screams (possibly not all human?). The whole thing was rather unusual, but I liked the art.
After emerging from the Qing Dynasty exhibit, we stumbled upon another temporary exhibit, Boundless Peaks: Ink Paintings by Minol Araki. Araki was a Japanese painter born in China who studied with Chinese painter Zhang Daqian. I was quite taken with his paintings, especially a monumental one covering several walls depicting mountains and trees.