Towards the end of the summer, I went through another French Canadian music phase, this time focused on albums by De Temps Antan, including À l’année, Les habits de papiers, and Consolez-vous. I came across the song “La brune habillée en soie” (The brunette dressed in silk), which I quite liked and also reinforced my impression that there is really only one Québécois song, and all songs express facets of that one ur-song. Actually, the most significant overlap I can detect is between “La brune habillée en soie” and the song “Les larmes aux yeux” (With tears in (one’s) eyes) by Le Vent du Nord. Both are from the point of view of young men who are disappointed in love. Both young men say that if they’d known things weren’t going to work out, “j’aurais pas tout dépensé mon argent” (I wouldn’t have spent all my money) on frivolities (exactly which frivolities varies between the two songs). In both cases, the object of his affections replies (and here again the lyrics are extremely close) that if he spent his money, it was because he wanted to, and how many times had she told him politely to leave because he was wasting his time?!
“La brune habillée en soie” also has the line “C’est par un beau dimanche au soir” (It was on a nice Sunday in the evening). In this case, that’s when some people come tell the young man his brunette has changed lovers, but for me the line echoed “Par un dimanche au soir” (One Sunday in the evening) from Le Vent du Nord’s “Vive l’amour” (Yay, love), which is a fair bit more cheerful. I guess everything exciting always happens on Sunday evening.
“Les larmes aux yeux” and “La brune habillée en soie” differ in that in the former the young man never seems to have gotten anywhere with the young woman (i.e. it’s all in his head, she’s already committed to a young officer) while in the latter it seems the young man and the young woman were actually together in some sense (though conceivably it could all have been in the young man’s head too, who knows) and she leaves him. That’s probably why the second young man is more bitter at the end of the song. In “Les larmes aux yeux,” he just talks about drinking to heartbreak and saying goodbye with resignation, but “La brune habilleée en soie” ends with the vindictive lines: “Un jour viendra, ta beauté s’en ira / Chère Léona t’épousera qui pourras” (One day your beauty will be gone / Dear Léona, you’ll marry who you can (then)).