These are strange, scary times, and I have little to say that others aren’t already saying with more thoughtfulness, eloquence, and authority. So I’m not going to wade into those waters. Suffice it to say that I am well, I feel lucky, and I’m currently confined with Isabelle and Olivier.
Back in the early days of the confinement, Isabelle let me make a print from her most recent drypoint plate. Drypoint is the latest printmaking technique she’s picked up (see our earlier adventures in linocut, screenprinting, and Gocco). In drypoint, you carve a design into a plate (Isabelle uses plastic ones), and the ink fills in the grooves. Thus what you carve is what is printed (vs. what you leave uncarved, as in relief printing). Apparently drypoint is etching, but without the acid.
Isabelle carved the plate; I just made a print. This design is called “Springtime frailty” (“Fragilité printanière”). I first smeared black ink onto the plate, filling in all the grooves. Then I used a bit of paper towel to rub away the excess ink.
Next I placed the plate ink-down on the paper.
I cranked the plate through Isabelle’s Cuttlebug, which we were using as an improvised press.
The completed print!