Tag Archive | Minnesota

Eternal Offerings: Chinese Ritual Bronzes

A couple of weekends ago, I went to the exhibit “Eternal Offerings: Chinese Ritual Bronzes” at the Minneapolis Institute of Art. It was somewhat reminiscent of the last exhibit of Chinese art I saw at MIA, “Power and Beauty in China’s Last Dynasty,” which placed Qing dynasty artwork amid various roomscapes, some dark, some brightly lit, and many with music or a soundtrack. “Eternal Offerings” featured painted scenes on the walls of some galleries, music or sounds of activity in the background, artifacts resting on mirrored sufaces, and dramatic contrasts of darkness and light. As the subtitle suggests, the exhibit was of bronze vessels and other items from Ancient China, all of which came from the museum’s own collection. There were no labels to read alongside the objects on display, so the focus was entirely on the bronzes themselves. The show was conceived and designed by Liu Yang, the curator of Chinese art at MIA, and Tim Yip, the art director of Crouching Tiger, Hidden Dragon.

In the first room, pale models of fragments of bronze artifacts were suspended from the ceiling over a horizontal mirror. Next was a sort of anteroom featuring a single, Shang dynasty wine vessel in the shape of an owl, standing atop a pedestal on a round mirror. The vessel dates from the 13th or 12th century BCE, which means it’s over 3,000 years old. It’s an amazing piece, and it’s incredible to think that someone crafted this finely worked object over three millenia ago and it’s still here for us to look at.

Shang dynasty owl-shaped wine vessel

Another view of the owl

Beyond the wide strips of mottled gray cloth that hung behind the owl stood several display cases of small bronze animals, including tigers, water buffalos, a bird chariot finial, winged dragons, and what looked like a pair of doorknockers (but were probably just handles?), the rings held in the beaks of bird- or dragon-like masks. Many of the items further on in the exhibit also incorporated decorative elements depicting animals.

A mythological beast with a tiger’s head, hooves, a curly tail, and turquoise accents (5th c. BCE)

The next gallery contained a variety of wine vessels (and the occasional food vessel) in different shapes and styles. Some were like vases, others like three-legged pots, and still others like decorative boxes with over-the-top handles. On the side walls were bronze spearheads and dagger-axes, some with jade blades and turquoise inlay.

Three-legged wine vessel with spout, side handle, and lid, with a pattern of scales on its rounded body (11th-10th c. BCE)

The next two rooms were large, with many vessels on display. The first room’s walls were painted with mountains while the second room’s showed men and women seated indoors at a banquet (I think). In the second room, the floors and opaque walls of the display cases were red, and there was a soundtrack of clinking dishes and utensils. Some of the objects in these galleries had inscriptions in an early Chinese script.

Footed water vessel with dragon-headed handle (9th-8th c. BCE), with a ritual food vessel decorated with dragons and a water basin with animal-headed ring handles in the background

Covered vessel (5th-4th c. BCE)

Four-legged rectangular food vessel (fāngdǐng) with geometric designs, spikes, and bird figures (11th c. BCE)

Wine vessel with pattern of stylized, interlaced dragons (5th-4th c. BCE)

The next gallery was also large. In the center was a display of a large horse, several vessels, a goose-shaped wine vessel, and a few human figures, including a farmer, an ox, and a cart, all of bronze, made for a Han dynasty tomb and found in Sichuan Province. Also in this room were five bronze bells of varying sizes, placed on high shelves on the wall behind the horse, a series of gilt bronze belt hooks with glass, jade, or crystal inlay, a series of round mirrors with varied decorations and inscriptions, and assorted other objects, including mountain-shaped censers for burning incense.

Han dynasty celestial horse surrounded by vessels, with bells and mirrors in the background

Mirror (4th-3rd c. BCE)

The last room contained one display case with a mirrored floor. Inside were many different types of vessels, including a double-owl wine vessel (back-to-back owls), a large, round, Eastern Zhou wine vessel with gold, silver, and copper inlay, and a vase-shaped wine vessel depicting hunting scenes. Against one wall, a video projection showed slowly rotating close-up views of some of the objects in the gallery.

All in all, the exhibit was a fascinating opportunity to see pieces from the museum’s collection that often aren’t on view and to admire the intricate craftsmanship of Chinese bronzes made thousands of years ago.

Star of the North: Minnesota English Country Dance Weekend

Star of the North is an English country dance weekend held in Minnesota. (What is English country dancing? It’s the kind of social dancing you see in Jane Austen films. That said, the tradition now includes tunes and dances written by contemporary composers and choreographers, and dancing can vary in style and energy, so if you think the dancing in the movies looks slow and staid, well, it’s not necessarily like that.) I may have attended a Star of the North dance or ball back when I was in the Lutheran Volunteer Corps; I can’t quite remember. But certainly I hadn’t gone in recent years. Over the summer, I accidentally discovered that the caller for Star of the North this fall was going to be Joanna Reiner, my very first dance teacher at Swarthmore. Essentially, Joanna taught me to do English country dancing (and Scottish country dancing, but that’s different!). I got very excited, and I think I noted that Star of the North fell on one of the weekends of my fall break so I could actually go if I wanted. Then I promptly forgot about it for months.

When fall break rolled around, it occurred to me to check out who the callers and bands were for the Saturday contra dances at Tapestry Folkdance Center when I’d be in town, and that was when Star of the North burst back onto my radar. It wasn’t too late to register! So I did, just for the Friday evening dance and the Saturday evening ball (no workshops for me). The musicians were Karen Axelrod on piano and Daron Douglas on violin, both eminent in the relevant circles; together they form the duo Foxfire, of which I was already a fan.

Both dances were lovely. All the individual dances were taught rather than just talked through. This was mildly surprising to me, especially at the ball, but it was nice since I hardly ever go English dancing these days and don’t know any dances by heart. Of course, the dances are also called, so with an experienced crowd there are rarely any problems or “very local variations,” as Joanna calls them. It was wonderful to experience Joanna’s teaching and calling again. One of the local dancers told me that he and his wife (both of whom I know through shape note singing, contra, Georgian singing, etc.) think that, in the English country dancing world, Joanna is the best there is. She chose some excellent dances with tunes I like very much (Easter Thursday, Saint Margaret’s Hill, Candles in the Dark), and the musicians were great.

The dance weekend participants were mostly locals, but others had traveled to be there, including one couple I was expecting to see. They’re from Ames, IA, and I met them the first and only time I went to dance camp at Pinewoods, the summer after I graduated from Swarthmore. They’re also Scottish dancers (and the camp we all attended was Harmony of Dance and Song). I didn’t really get a chance to talk to them or explain this at Star of the North, but when the husband and I were partners, I said something to the effect that I thought we’d met once a long time ago, and he was like, Probably! And I said I lived in Iowa too now. There was another, younger, dancer from Iowa who asked me to dance at the ball and said he’d heard from the wife of that couple that I lived in Iowa. He asked where, and I said Grinnell. He asked if there was much dancing there; I said no. At the end of the ball on Saturday, I got to chat with Joanna a bit, and then the young man from Iowa came over, and they both told me about an English dance weekend in Fairfield, IA (where apparently they’ve had shape note singing too?) that was in just a few weeks, right over my birthday. Bare Necessities, the doyen of English country dance bands, was playing (and in fact always plays the Fairfield dance weekend). Joanna and the Iowan said I should go, so when I got back to Iowa I looked it up, but it was, unsurprisingly, sold out. (The Twin Cities couple who think Joanna is the best did go this year, and apparently they’ve already reserved their spots for next year! I think this is a popular weekend.) 

Joanna always had the band play a bit of the tune before teaching each new dance, and at the Saturday ball, when it was time for the last dance, she told us we might recognize the music. Foxfire started to play, and the tune meant nothing to me, but a few other dancers made noises of realization. I still don’t know why Joanna thought we might know this tune in particular. I thought maybe they’d done the dance at the workshop, but it seems not, so maybe it’s just popular? In any case, the dance was Sapphire Sea, and it was a very fine dance–dolphin heys! I also loved the tune, so when I got back to Grinnell, I looked it up: it’s Tom Kruskal’s, by Emily Troll and Amelia Mason. Now I’m…kind of obsessed? I’ve played it on violin and cello already. I looked for recordings of Sapphire Sea online to listen to the music, and I found a good one from a ball that took place not far from Boston. At first, I just listened to the band, but at some point I looked at the video and was like, hey, I know those dancers! That’s par for the course when you have niche hobbies.

A Chilly Minnesota Spring

I’m in Minnesota for spring break just now, but it hasn’t been a very warm spring break, on the whole. At the very beginning, there was one balmy day, and I took advantage of the nice weather to walk around Lake Harriet. The ice on the lake is getting soft and slushy, and there are some patches of open water along the shoreline. Here are some Canada geese–scoping out nest sites?–as well as other fowl flying low in the sky.

One day, my mother and I had lunch at FIKA, the restaurant inside the American Swedish Institute in Minneapolis. We had kroppkakor (potato dumplings filled with spiced pork) with crème fraîche and lingonberries and a semla (a cardamom-flavored roll filled with almond paste and topped with whipped cream). They were both excellent.

Kroppkakor

Semla

Another day, we made an excursion to Keefer Court, the pre-eminent Chinese bakery of Minneapolis, which after all these years I’d still never been to. The side of the building is painted with a cute mural depicting birds and flowering trees.

Otherwise, life is busy! I hope to be back in April with some more exciting posts!

Winter Amusement

It’s been fairly cold in the wintry north since the turning of the year (though somehow the East Coast still gets the best snowstorms). Back in January, while I was still on winter break, my family enjoyed some distinctly wintertime activities. First, my brother works in the theater world, and his home base, the Zephyr in Stillwater, built their second ice maze this year. As a sound designer, he was in charge of curating the playlist. I kept suggesting film scores by Prokofiev, but I’m not sure he took me up on any of my picks (I mean, why wouldn’t you want visitors to your riverside ice maze listening to the soundtrack to the battle on ice from Alexander Nevsky?). Anyway, we visited the maze on a Sunday evening, when colored lights illuminated the giant blocks of transparent ice. I also went down the big, slippery ice slide.

Ice dragon guarding the maze

Braving the maze

Minnesota pride

Later, we went cross-country skiing at Hyland Lake Park Reserve for the first time in several years. It was a warmer day, a good day to spend outdoors. I should really ski more often!

Back on the ski trail

They’re hard to spot, but there are two deer in this picture

A sky of soft-edged clouds

The Boundary Waters 2021

Almost exactly a year after last year’s trip, my family returned to the Boundary Waters this summer, although this time it was just my parents and me, since my brother was working a show. It’s been ten years since our first family expedition to the BWCA in 2011, and fittingly, we returned to the same entry point we used on that trip, on Lake One. We drove up on a Friday, through the Iron Range, and had dinner in Ely before spending the night in a very nice bunkhouse at the Kawishiwi Lodge & Outfitters. The next day, we paddled out in our rented three-person canoe. We soon claimed a lovely campsite on a peninsula in the northern part of the lake.

View from our campsite

It was home to some pretty vocal red squirrels and adorable chipmunks in several sizes who chowed down on beaked hazelnuts and birch catkins throughout our stay. They weren’t camera-shy either.

Chipmunk

Red squirrel

On Sunday, we set out on a day trip, taking the heavily trafficked (in midmorning) portages to Lake Two. There we paddled around for a bit and then stashed our canoe on the rock in order to walk the portage to Rifle Lake. The trail featured bluebead lilies, bunchberry, and wild blueberries, though we found only a couple of ripe berries to pick and eat.

Water lily near a portage

As we canoed back toward Lake One, we spotted a mammalian head rising out of the water. We got closer, and I saw the head again before it ducked underwater. A smooth brown back appeared above the surface, then a round, furred tail, before it was gone. An otter! I was excited because 1) I’d never seen an otter in the wild before and 2) I didn’t even known there were otters in the Boundary Waters (Minnesota’s Otter Tail County notwithstanding). We drifted in our canoe, looking back and watching, and we saw two heads in the water. The otters approached each other, and I wondered if they’d do that adorable handholding the sea otters do, but no. They did hop onto the rocky shore of a small island, though, and we could see their lithe forms and thin tails as they gamboled briefly before returning to the water. We weren’t that close to them, but they were definitely the highlight of the trip for me.

An evening paddle

In the evening, we went for another paddle to try to watch the sunset (they weren’t that spectacular on this trip, though). We went around our peninsula and found a beaver lodge in the inlet, but we’d never before spotted a beaver near a lodge, or, in fact, at all. We came out again. But then, as we paddled southwest alongside our peninsula, past the landing for our campsite, I was looking at the shoreline on my right, and I saw a creature on the rock, at the edge of the water. It was large and brown and stocky and roundish, and I pointed and exclaimed, already sure it was a beaver, and it slipped into the water. I think I saw a big, black, flat tail. We drifted again, watching, and again there were two of them! One in particular we watched swim around a lot, its head and back visible above the surface of the water. It looked like a capybara (as if I’ve ever seen one of those).

Looking back toward Lake One along the passage to Confusion Lake

On Monday, we explored Lake One further and checked out the so-called Lake One Dam, at the mouth of the passage into Confusion Lake to the north. The passage contains some rapids, and the “dam” was possibly an attempt to direct the flow of water a certain way by piling up rocks. We ditched our canoe again and walked the portage to Confusion Lake, where we saw a group of five diving ducks. Were they some kind of merganser, or buffleheads, or goldeneyes? We hiked back and, on the advice of some women we’d met, paddled around into an inlet, found a patch of sand where we left our canoe, and clambered onto some rocks with a view of the rapids.

The sun on our last morning

Over the course of our short camping trip, it grew hazier. When we’d left the Twin Cities, the haze and air quality were actually worse down there than up in Ely, with smoke blown down from Canadian wildfires. But the haze thickened in the Boundary Waters while we were there. On Monday evening, the setting sun glowed an intense red behind the trees, and on Tuesday morning, it was orange and cast a reddish light on the ground. We packed up and headed back to the outfitters.

Another view from our campsite

In addition to the otters, beavers, red squirrels, and chipmunks, we saw bald eagles, loons, cedar waxwings, and blue and gray (Canada) jays, among other birds. I also saw at least two garter snakes. The otters and beavers really made this trip memorable, though; I haven’t seen anything as exciting since the moose in 2005! But I’ll be perfectly happy if I never meet a bear in the Boundary Waters.

Reprint: Lómr in Daikaijuzine

I’m pleased to announce that my short story “Lómr,” originally published in Cicada in 2018, has been reprinted in Daikaijuzine, an online magazine whose third release, Rodan (I don’t really know anything about kaiju), went live on Monday. You can read the reprint here. I’m excited to read the rest of the pieces in this issue.

“Lómr” was my first professional short story sale, and I’m still very fond of it. Cicada is also now sadly defunct, so I’m happy “Lómr” has found a new home on the web. Also, this is my first reprint! Well, if you don’t count “Yet a Youth.”

I expect to have some more short stories out this fall, so stay tuned!

The Boundary Waters 2020

My family spent last week in the Boundary Waters. It was my seventh (!) trip, fifteen years after my first, and my family’s fifth trip together. The last time we went was in 2016, when we canoed and camped on Isabella Lake. This year, we returned to Seagull Outfitters at the end of the Gunflint Trail, where we’d gone in 2015.

We drove up on Monday, stopping in Duluth to pick up sandwiches for lunch from Northern Waters Smokehaus. We used to plan our Boundary Waters drives around meals at the New Scenic Café on Old Highway 61, but with the pandemic, things are a little different. The New Scenic Café is closed, and we ordered our sandwiches ahead and picked them up from a table under a tent on Northern Waters’ deck. My bagel with smoked salmon and scallion cream cheese was scrumptious.

We reached Seagull Outfitters on Sea Gull Lake early in the evening. We were spending the night in the bunkhouse. At the outfitters, we heard there was a bear active on the western edge of the lake; four campsites on the adjacent Alpine Lake had been closed, and we were advised to avoid the western side of Sea Gull. The bear wasn’t afraid of people, which is bad news for everyone, bear included. (Also, there were possibly multiple bears?) This was a bit concerning. I’ve never seen a bear in the Boundary Waters, and while it’d be cool to see one from a distance, I have no desire to encounter a bear that isn’t deterred by human noise.

The next morning, one of the owners of the outfitters told us she’d avoid Sea Gull Lake altogether because of all of the bears and go north to Saganaga Lake instead. This would require a 38-rod portage at the outset, but just paddling after that. So we decided to do it and not spend four nights wondering if bears were approaching our campsite.

We left on Tuesday morning and returned to Seagull Outfitters on Saturday. In many ways, it was an ideal Boundary Waters trip. It only rained once, the last night we camped, and it didn’t start till after we’d gone to bed and stopped before we got up. (Of course, between the thunder and lightning and somewhat leaky tent fly, we didn’t sleep all that much, but still!) The bugs were remarkably tolerable; I didn’t put on bug spray once, even if in the evenings around the campfire the mosquitoes buzzing around my ears were a little bothersome. We had one particularly windy paddle, but I still got my canoe back to our campsite landing spot without the waves driving us into the rocks. I brought several extra layers I never wore because it didn’t get as cold as I’d expected. Saganaga allows motorboats, and some of the surrounding area is built up, with cabins, so it felt a little bit less like the wilderness than on past trips, but it was still beautiful. From our campsite, it was just trees, rocks, sky, and water as far as the eye could see.

We’d originally expected to stay on Sea Gull Lake, so portaging hadn’t been part of the plan. But the 38-rod portage through the U.S. Forest Service’s Trail’s End campground was actually one we’d walked back in 2015, on the day we left Sea Gull Lake. We’d explored the falls and gotten a family photo taken in front of the rock face at the southern end of the portage. This time, of course, we actually had to portage our canoes and gear, and though the trail wasn’t very long, it was steep in places, with many rocks and tree roots. Just north of the portage, there were some rapids, and since we were going downstream, we managed to shoot them. (On the way back was a different story, but I’m proud to say we got our canoe up the rapids first, after making “only” two mistakes.) After the rapids, we reached Gull Lake, and from there we paddled north through some narrow channels to Saganaga.

Saganaga Lake straddles the Minnesota-Ontario border, so half the lake is in Canada. In other words, we spent this trip at the very edge of the U.S. And we made two day excursions pretty much to Canada. On our first full day in the Boundary Waters, we decided to canoe to the point marked Canadian Customs on our map. We were camping on the southern end of Loon Island (a lovely campsite), so we paddled up past Munker Island, Voyageurs Island, the Blueberry Islands, and Horseshoe Island, till we could see Canada. (It looked exactly like our side, except that in Canada there were houses on the lake.) Then we spotted a white building with signs around it, and as we got closer, we confirmed that this was the customs checkpoint. There was a small wooden dock with a No Trespassing/Passage Interdit sign at the end, a bilingual notice about everyone having to report for border inspection, and around a slight bend, a big sign proclaiming Canada! But the whole place was deserted. We could’ve just gone ashore, but we did not.

The next day, we paddled farther, to Saganaga Falls, which turned out to be rather small (kind of like the falls we’d portaged around to get from Sea Gull Lake to Gull Lake). There was a portage here, but we just left our canoes out of the way on shore and walked the trail to go see the falls. We were on the American side, but the other side of the stream was Canada, and we could see a green sign that said La Verendrye Boundary. (Later I learned that this is named for Pierre Gaultier de Varennes, sieur de La Vérendrye, which is kind of a mouthful.) We watched a party of three men and a boy canoe up from the north (where we’d come from too) to the rocks on the Canadian side and start fishing. One of them actually caught two fish, a very little one and a rather small one, both of which he released. As we were leaving in our canoes later, there was a group in a motorboat that caught a decent-sized fish in a net.

I felt I had particularly good luck taking photos of wildlife this trip, and it was my first time using my phone instead of a digital camera. This made it harder to get good pictures of distant bald eagles or loons, but the amphibians and butterflies were pretty cooperative. The sunsets seemed less spectacular than average (perhaps because the weather was better than average?), but the stargazing got better every night until the night it rained, and we saw the Milky Way and a few shooting stars.

If you didn’t know, I published a short story set largely in the Boundary Waters a couple of years ago. It’s entitled “Lómr” and appeared in Cicada, and you can read it here.

Return from France

I returned to Minnesota this week after spending nearly 90 days in France. If you’d asked me in the winter how I thought my spring was going to go, I could not have envisioned what actually came to pass! But I feel very lucky to have gotten to spend the entire French confinement, as well as the first phase and a bit of the déconfinement, with Isabelle and Olivier outside of Paris.

A walk in the Forêt de Meudon

Writing-wise, I ultimately had a very good confinement. (This is not to promote any kind of if you haven’t learned a new language or launched an online business during quarantine you’ve failed at the pandemic sentiment. No one needs to do anything more than do their best to make it through.) I sank back into drafting what I hope will be my next book, and when it looked like the finish line might actually be in sight, I strove to cross it. I finished the rough draft (emphasis on rough) on my last full day in France. Toward the very end of my stay, I also made two short story sales within a week; I hope to have more to say about those stories soon.

I have returned, of course, to a country still grappling with COVID-19 and lit by a renewed uprising against violent racism and police brutality. I have returned to the city that sparked the latest protests. Like I said at the beginning of the pandemic, I don’t have much to say that others aren’t already saying better. But we must all be doing the work. Here’s something I wrote almost exactly three years ago when the police officer who killed Philando Castile was acquitted. I think we need to be thinking seriously about what role, if any, police forces should have in our cities. What would it take to abolish the police? In the meantime, take care of yourselves, your family, your friends, and your communities.

 

The 30th Annual Minnesota Sacred Harp Convention

This past weekend I drove up to the Twin Cities for the 30th Annual Minnesota Sacred Harp Convention. I’ve managed to attend this convention a couple of times in grad school–last year with Isabelle, in 2014 when Sparkers came out–thanks to UCLA’s late start to the academic year, but it’s certainly easier to drive up from Iowa than to fly from California. I didn’t know it was the 30th annual singing until I arrived. Turns out the first Minnesota convention took place the year I was born!

The first day, we sang at Olivet Congregational Church in St. Paul, not far from St. Sahag’s, home of my local shape note singing the year I lived in the Summit-University neighborhood. I also vaguely recalled having gone to an English country dance at Olivet UCC that year, and Midge, a fellow singer and dancer and one of the convention’s co-chairs, confirmed that the Playford ball was held there. I led 203 Florida in the morning.

During the breaks, I caught up with Ivy, a fellow linguist now in the Twin Cities. We first met as prospective students at UCLA. I also met an ethnomusicologist who came to the convention from Winnipeg but who lived in Georgia for a year and a half studying the language and the music! Where else do you meet Georgian music singers than at the Sacred Harp convention, I guess. I also “networked” with other Iowa singers; there are a number of us scattered throughout the state. There aren’t any regular singings very close to me, but at least there’s an all-day in the spring to look forward to.

Local singer Claudia had put together a mini-exhibit of six old shape note tunebooks which were on display Saturday morning in the church library. The oldest was a copy of The Easy Instructor from 1816, I believe. There were also two books in German (or bilingual in English and German), printed in Fraktur! One of them was Die Franklin Harmonie. I didn’t know shape note tunebooks in other languages existed; these were apparently used by the Pennsylvania Dutch. As I was looking at the books, another singer noticed my name tag said Grinnell, and she told me she used to hitchhike to Grinnell, passing through Austin, MN, to visit her best friend, who studied at the college.

Shape notes and Fraktur! (Excuse the shadow…)

On Sunday, we sang at The Landing, on the Minnesota River. Last year, I was there with Isabelle. At the end of lunch and at the following break, the ethnomusicologist, Midge and her husband (both Georgian singing aficionados, who’ve visited the country multiple times and who brought Zedashe to the Twin Cities), one other singer, and I attempted to sing a Mravalzhamier we all knew. It was rocky, but it was still lovely to at least try some Georgian polyphony at the convention!

I led 296 Sardinia, in the afternoon. At the end of the day, the co-chairs, as is customary, invited out-of-town singers to invite everyone to major singings in their parts of the country. A singer from Kentucky, who I knew I’d seen before, made such an announcement, and in it he mentioned the opportunity to experience an Old Regular Baptists’ service with lined-out hymnody. Somebody else said that alone was worth the trip. I had never heard of such a thing and wasn’t even sure I’d heard right until I looked it up later. I’m still not totally clear what lined-out hymnody is, but Wikipedia tries to explain. Shape note seems positively mainstream compared to this.

After the convention was over, I wandered around The Landing a little bit, like we had last year. I walked past the schoolhouse and around behind the barn to see if the cows we’d seen last year were in the enclosure, but instead of cows I found three sheep!

Summer’s End in Minnesota

At the end of my summer, which for the rest of the world is mid-to-late September, I went to Minnesota and brought Isabelle along. We visited the cats at Wild Rumpus in Linden Hills.

We stumbled upon the Highpoint Center for Printmaking on Lake Street and saw the juried print exhibition and Michael Kareken’s black-and-white watercolor monotypes of majestic forests in the Pacific Northwest.

With my brother, we visited Minneapolis’s first cat café, Café Meow! We met a very sweet cat named Oreo.

Photo by Isabelle

We saw Minnehaha Falls in its late summer glory.

We attended the second day of the 29th Annual Minnesota Sacred Harp Convention, again at The Landing, and I led 547 Granville.

On our last day, we took a walk in my neighborhood and found this: