Tag Archive | UCLA

Kittens and Commencement

Earlier in June, Adam, Iara, Isabelle, and I visited the Tiny Beans Kitten Lounge, a summer pop-up offshoot of our local cat café, in downtown Los Angeles. The kitten lounge, just a few blocks from the Last Bookstore (which Isabelle and I stopped by beforehand), was very small and decorated like the bedroom of a small child who loves pastel colors, rainbows, unicorns, and cotton candy. It was also full of two- to three-month-old cats of every stripe and color. Some were playful while others just wanted to snooze next to our bags. Though I tend to prefer adult cats, I had to admit they were pretty cute. And since it was a Monday afternoon, the four of us had the lounge to ourselves.

Kitten

A few days later, I walked in the UCLA Doctoral Hooding Ceremony and graduated with my Ph.D. After 10 years of postsecondary education, I am no longer a student! It’s funny to think that, of all the schools I’ve attended, UCLA is the one I spent the most time at. My parents, brother, aunt, and cousin came to Los Angeles for the ceremony and met my committee.

Me, a newly-minted doctor, and my brother (photo by my aunt)

After commencement, we explored LA, visiting many of our now favorite haunts (the Getty Center and the Getty Villa, Topanga State Park, the Huntington). My parents and I went to the Griffith Observatory and saw Foucault’s pendulum and took in the panoramic views. With my family and a couple of friends, I also visited Mission San Juan Capistrano and Laguna Beach again.

A water lily at Mission San Juan Capistrano

My time in Los Angeles will be coming to an end this summer, and amidst all the busyness I hope to fit in some last firsts and bucket list items. The most interesting should find their way to this space!

Agave Baroque, Etc.

Summer is here! What have I been up to since spring break, besides defending my dissertation? Well, I can safely say I’ve finished my doctorate; I graduate tomorrow! I also went to the LA Times Festival of Books and YALLWEST, which were fun, but I wonder whether I’m starting to get author paneled out… I went on a couple of top secret trips to the Upper Midwest; sooner or later the outcome of those trips is likely to become clear.

In between said trips, Isabelle and I went to a wonderful concert at the William Andrews Clark Memorial Library, which is part of UCLA but is located in the West Adams neighborhood. The Clark houses a rare book and manuscript collection and hosts UCLA’s Center for 17th- & 18th-Century Studies’ chamber music concert series. We had actually been to the library before, for a performance combining piano pieces and personal storytelling. This time, the performers were Agave Baroque, a San Francisco-based ensemble, and the countertenor Reginald Mobley. Apparently it was the first time a singer had ever participated in this concert series.

The Clark Library (check out that theorbo!)

The program was devoted almost exclusively to the extended Bach family. I’m a big Baroque music fan, so I enjoyed the whole concert, but I was especially excited for the penultimate piece, the chaconne “Mein Freund ist mein” from the cantata Meine Freundin, du bist schön by Johann Christoph Bach. I had stumbled upon this piece on Youtube, searching for music by J. C. Bach, as one does, and I loved it. (Amusingly, for the title of the cantata Google Translate gives “my girlfriend you are beautiful.”) I should’ve realized sooner the text was from the Song of Songs. The organist told us the cantata had been composed for a Bach family wedding, but it was a Lutheran wedding, so the piece was in G minor. In any case, it was as wonderful as I’d hoped to hear the chaconne performed live. I was surprised to understand some German I had never caught before, just listening to a recording.

The title given in the program for the final piece, also by J. C. Bach, wasn’t familiar to me. It was “Es ist nun aus mit meinem Leben” (Google Translate: “it’s over with my life now”). The organist said the song was about death, but it was happy (can anyone say shape note?). As soon as Reginald Mobley began to sing, though, I recognized the piece, which I knew as “Welt, gute Nacht.” It’s very beautiful and soothing, and I was delighted to hear it performed live too.

The next evening, I got to see Rachel Hartman (of whom I am unabashedly a fan) and Fran Wilde at Children’s Book World, the bookstores where I held my Los Angeles release parties. I’d enjoyed Fran Wilde’s Updraft, and she was touring for her newest book, an MG novel with a protagonist named Eleanor! She also had a stamp of a witch ball, which she was using in signing books. It was lovely to see Rachel in person for the second time and catch up a little. She was promoting her extraordinary Tess of the Road.

At the end of May, Isabelle and I went to the LA Zine Fest at the historic Helms Bakery in Culver City (the official baker of the 1932 Olympic Games). We discovered some new-to-us zinesters, saw artist Maggie Chiang in the flesh, ran into Jackie Lam, whom we knew from the West LA Burrito Project, and donated some zines to other branches of the LA Public Library.

Speaking of zines and the public library, last Sunday we went back to the zine workshop at the West Los Angeles Regional Library. I kept working on my latest zine, which I hope to finish and reveal soon, and we found that some of our previous zines were now on shelves in the library’s collection!

Dissertation Defended

You know how I sometimes mention I’m in grad school? Well, yesterday I successfully defended my doctoral dissertation! It’s been a long, sometimes quite difficult, but also very rewarding six years. Here’s me and my lovely committee at the post-defense celebration. Happy May Day!

Carving and Printmaking

Our university’s international student center has a new artists and writers collective whose meetings Isabelle and I have been attending. At the last meeting, Isabelle taught everyone how to carve stamps out of plastic erasers with X-Acto knives. The erasers are nice and soft. For my first ever stamp design, I eventually decided on a bass clef, and the result wasn’t too bad. It’s like a rustic bass clef.

Two days later, we went to a linocut workshop hosted by the Horn Press, UCLA’s book arts society. Isabelle is quite experienced with linocut, but I had never done it before, and it’s a bit trickier than plastic erasers. We used gouges of various shapes and widths to carve linoleum plates mounted on wood blocks. It took me a while to come up with a design again. I tried thinking of things I used to draw when I was younger that I actually felt turned out well, and I remembered these little birds made of simple shapes for the crown, eye, beak, wings, tail, and feet. I don’t remember what originally inspired those drawings; I think I must’ve seen a brush painting somewhere. Anyway, I set to work with my gouge, and of course I picked a design that required me to carve away most of the plate. But I finished.

First print at the workshop

Later I did some additional cleanup with some of Isabelle’s tools, and I tried printing again.

Thi Bui at UCLA

A few weeks ago, a cart of free books appeared in the entryway of Campbell Hall, the building that houses the Linguistics Department. It wasn’t the first time it had happened, but this time the books were all the same, and the cart was stuffed with them. After making certain the books were really free for the taking, by anyone, I slid one out to take a look. The book was Thi Bui’s illustrated memoir The Best We Could Do, and when I leafed through it, I realized I’d read an excerpt of it online a while ago. The books were a special edition with a UCLA Common Book seal on the cover and discussion questions inside. I took the copy I’d picked out up to the phonetics lab and told two friends about it. When they saw the book was graphic (a comic book, if you will), they both immediately went downstairs to snag copies for themselves. The book cart was replenished in the days that followed, and I think the campus is actually swimming in copies of The Best We Could Do.

I read the book soon after, over the course of two days. The Best We Could Do is the story of Thi Bui’s family. It opens with her giving birth to her son in a hospital in New York with her husband and her mother. Then it goes back to tell of her mother’s experiences of giving birth, to six children, four of whom survived. The narrative skips around in time, but it traces her mother and father’s very different childhoods and youths against the backdrop of the end of French colonial rule and the beginning of the Vietnam War. It also follows what became of her parents’ parents and grandparents, especially on her father’s side. Thi, her two older sisters, and her parents left Vietnam on a boat, spent time in a refugee camp in Malaysia, and then immigrated to the United States. Thi depicts many different threads of family history, complicated relationships and choices, willingness and reluctance to speak, closeness and distance, and her own inherited fears and instincts and her desire to know her parents better.

I enjoyed Thi Bui’s book, and it also made me envious. She writes about starting the work for this book as a graduate student, trying to interview her parents. It didn’t work that well; they didn’t seem to want to answer her questions. She also writes about how her mother was more willing to tell her (Thi’s) husband things about her past, in English, than she was willing to tell Thi things directly. These difficulties were on the page, but at the end of the day, Thi Bui had produced this family memoir that contained the histories of her parents and some of her grandparents and great-grandparents. She found out what there was to find out. And I envied her because I don’t know much about my family members’ history before they arrived in the U.S. from Hong Kong, and before they arrived in Hong Kong from China, and I’m not sure it would be easy for me to find out more. Generationally speaking, I correspond roughly to Thi’s mixed race son while my mother corresponds to Thi.

Last week, Thi Bui was on campus for an author event, part of the UCLA Common Book/First Year Experience programming. I went with Meng and ZL, two friends from the department, both of whom had also gotten the book. The audience appeared to be heavily Asian-American, kind of like at the panel with MILCK, Yumi Sakugawa, and Krista Suh last year. The first part of the evening was a conversation between T.K. Le, from Asian American Studies (down the hall from Linguistics!), and Thi Bui. T.K. had prepared a number of questions, and the discussion was fairly wide-ranging. Thi said something that made me feel less disappointed that I hadn’t learned everything about my family history: her parents were talkers, that is, willing to talk about the past, and the more she spoke with other Vietnamese-Americans the mroe she realized this wasn’t typical. So, maybe not everybody can write a family memoir if only they try hard enough! Thi also said that before The Best We Could Do was a book she took the first chapters to zinefests as zines!

After the conversation, an audience Q & A began. The very first question came from the person sitting right behind me, and when she introduced herself, my heart leaped. It was the film student I’d met at Yumi Sakugawa’s meditation workshop last June, the one who had been working on a documentary on Yumi! After the Q & A (lots of questions from Vietnamese-American students), I turned around and reintroduced myself to the film student. My friends decided not to stick around for the book signing, but the film student and I stayed, and somehow we ended up practically at the tail end of a very long line. During the hour and a half we waited to meet Thi Bui, we more or less told each other our life stories. And she sent me her documentary!

I’m glad I got to meet Thi Bui and get my book signed, but the most delightful part of the evening was the serendipity of meeting the film student again. Also, in the coming weeks, the campus collective AAPI Dialogues is hosting a zine-making workshop and a lunchtime book club on The Best We Could Do. I’m hoping to make the workshop and at least some of the lunch discussions, so you might hear more about that.

Solar Eclipse!

I was a little worried when I woke up this morning to cloud cover, but Los Angeles’s typical sunniness came through in the end, and I was able to witness the partial solar eclipse (about 60%) visible here. A few of us from the department went to the UCLA Court of Sciences to view it. When we arrived, there was an enormous line we were afraid was for eclipse glasses. Turned out it was for both eclipse glasses and looking through the telescopes. Getting glasses looked like a bit of a lost cause, and indeed after we’d waited in line for a while someone else from the department farther ahead told us they’d run out. We improvised a pinhole camera from a sheet of paper nabbed from a campus newspaper stand and a business card someone poked a hole through with a pen. Then we abandoned the line and went to the center of the Court of Sciences. People who had eclipse glasses were happy to lend them to people like us, so we all got to peer at the eclipse directly after all.

We amused ourselves for quite a while by making improvised pinhole cameras out of various configurations of our hands and that same sheet of paper, and we attracted people who were curious about what we were doing and wanted to take pictures or try it out for themselves!

My hand, my head, and partial eclipse! (Photo by Isabelle)

We also saw some leaf shadow effects, though the crescents aren’t as spectacular as those I saw in photos from people who saw a more complete eclipse.